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Prologue pays homage to the previous films in the Final Destination series. The sequence consists entirely of live action footage shot using stereoscopic technology. Implements of death from the four previous films were catapulted against sheets of glass that, when screened in a 3D setting, appear to shatter towards the viewer.
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In Fright Night's main title sequence, Prologue sought to create a three dimensional graphic journey through the film's pivotal moments. Blood soaked freeze frames and custom hand drawn typography explode into the audience while Hugo's cover of '99 Problems' plays.
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For the film's opening title, Prologue created a 3D model of the X-Men coin that was animated to transition between two pieces of live action footage. For the main-on-end title sequence, we created a retro '60s-style title sequence using primitive graphic shapes to represent DNA structures. We also designed an animated logo for the film's production company, Bad Hat Harry Productions.
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The inspiration for the Thor titles was to create the effect of swooping through a faraway galaxy. Flashing lightening bolts and bursts of color draw the viewer through the fantasy constellations.
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Prologue functions as a collective of designers, filmmakers and artists.
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“
Creatively unleashed, the producers have concocted a sure-to-be-polarizing introduction that's a truly weird, David Lynch-style experience - complete with bondage outfits, satanic images and the creepiest opening-title sequence ever. ”
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Final Destination 5 opens on a high: The opening credit sequence is a heady 3-D phantasmagoria, a swirly, trippy sequence of glass shards, knives, poles, iron rods, and various other implements of death flying at the audience.”
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“
As the camera swoops over suburban Las Vegas, a crescendoing score announces Fright Night's opening credits...It's a deft touch that sets the stage for a vampire film - indeed a remake - that feels fresh and vibrant...”
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“
In all but name, ‘First Class’ is a Bond movie...right up to the end, with an animated credits sequence very much in the spirit of Maurice Binder’s work on the Bonds.”
Richard Corliss, Time
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“
The end credit sequence of Thor is the most fascinating yet as it actually takes a major plot development in the story strand ;) And it was the longest bloody end of credit sequence I've ever seen in any movie.”
theycallmemrglass, imdb.com
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