prologue

We then move on to the amazing Saul Bass inspired credit sequence which really sets the tones nicely.”

It starts out with a delightful '60s-retro title sequence; it makes especially evocative use of its '50s-era L.A. locations; and, throughout, it's skillfully composed and shot to effect the style of '40s film noir.”

A title sequence worthy of the late Saul Bass.”

The opening credits are great and really set the tone for the film. They're done in the art style of those posters from the late 50's, early 60's--imagine the artwork from Vertigo animated. Really nicely done.”